Edited by Leonard J. Greenspoon. Omaha: Creighton University Press, 2008.
Joshua R. Jacobson: "Jewish Music: What Is That?"
Charles David Isbell: “The Musical Notations in the Book of Psalms”
Charles Jurgensmeier: “Salomon Sulzer and Franz Schubert: A Musical Collaboration”
Paula Eisentein Baker: “Composing Art Music Based on Jewish Musical Material”
Emily A. Bell: “Revitalizing the Synagogue Ritual: Cantor David Putterman's Annual Service of New Music at New York's Park Avenue Synagogue”
Helen Leneman: “From Scroll to Stage: The Story of Ruth in Cantillation and Opera”
Dan W. Clanton, Jr.: “'From Biblical Time to Lyrical Rhymes': The Assertion of Jewish Identity in Music as Cultural Resistance’”
Marsha Bryan Edelman: “'What Do You Mean, It Doesn't Sound Jewish?' Debunking Myths and Defining Models for Extra-Liturgical Music”
Daniel Jutte: “Jewish Music and Public Space: Preliminary Notes and Perspectives Toward a History of Jewish Musicians and Dancing Masters in Renaissance Italy”
Theodore Albrecht: “Beethoven's Quotation of Kol Nidrei in His String Quartet, Op. 131: A Circumstantial Case for Sherlock Holmes”
Susan M. Filler: “The Music of Yiddish Theater and its Influence on Broadway”
Joel E. Rubin: "'They Danced It, We Played It": Adaptation and Revitalization in Post-1920s New York Klezmer Music"
Rita Ottens: "'Permanently with Auschwitz in the back of my mind": The Legacy of National Socialism in the Yiddish Music of the GDR"
Anat Feinberg: "To Play or Not to Play: Jewish Musicians in Post-War Germany"
Jonathan Gross: "Make a Note of It: The Use of Ta'amei HaMikra in Biblical Commentary"
Wendy Shermet: "The History of the Cantorate"