Other Individual Original Paper Art
- Acrylic Paintings
- Aesop's Fables John R. Thompson 10 Signed Artist Proofs
- Aesop's Fables Plates by Olivia Lobos for Eric Sweet
- Seven Original Gouaches on La Fontaine's "Lion and Mouse"
- The work of John Ryrie
- Baked Goods
- Ceramic
- Cloth
- Fore-edge Painting
- Giclée Art Prints
- Glass
- Metal
- Oil Painting
- Paper
- Pottery
- Watercolors
- Wood
1921 "The Fable of Alf and Pete." K.D. Vanity Fair, September, 1921. 8.5" x 11".
An original fable in the magazine “Vanity Fair”. The author's initials are K.D. The title states “The Fable of Alph and Pete; Showing That There Is Frequently More Than One Way of Getting By.” A print of a picture titled “Geraldine and Pete” accompanies the story. The visual artist’s name is Paul Thevenaz.
1950? Original hand-painted card, 5½" x 3½", presenting CW. Nantes: Madame Yvonne. €10 at Recto-Verso, Strasbourg, July, '19.
There is a story somewhere behind this handmade card! This cat-woman has seized the mouse. The room shows evidence of her mad dash to catch the mouse. Is that a TV in the background? And is that something like a Billiken on top of the TV? I am a little confused about the cat-woman's clothing. Where does dress stop and skin start? Her lower half seems to indicate something like a dress or robe. Her upper body seems uncovered. There is not only a story behind the creation of this card. I would love to learn something of its history. What a surprise find!
1960? Four original pen-and-ink drawings of Aesop's fables, about 4" x 2½'. FS, FC, TH, and WL. €60 at Daniel & Lilli, Saint-Ouen Flea Market, June, '19.
How surprising to find four original "India ink" drawings in a shop specializing in buttons on a hot weekend afternoon at the Marché des Puces! These drawings are quite clever. The stork is turning down the fox's soup without even trying it! The fox is holding out his top hat to catch the crow's cheese. The hare is catching butterflies while the tortoise crosses the finish line. The wolf at the river carries a big stick as he accosts the lamb with his jacket and neck-kerchief. The lettering is so perfect on these four drawings that I wonder if they were not printed. In any case, I delight in them!
1970 "The Belling of the Cat." Water-color and ink panel by Lisa Haderlie. 4" x 7½" on paper set inside oval matting and framed in glass. $25 from William Hayes at the Alameda flea market, Jan., '02.
This is a typical instance of my collecting luck. At this flea market, I asked only a few dealers if they might have anything dealing with fables. Luckily, this was one of the dealers whom I asked! His answer was something like "Well, does Belling the Cat count?" Of course it does! Here is a one-of-a-kind work. The mouse is all ready, with bell in paw, as another mouse looks on from above. Is the cat aware of what is happening and about to make a move? How lucky of me to find this piece! Click on the smaller version just below to see a larger version.
1975? Hand-painted colored picture of TH. About 3½" x 7⅛". €30 from Daniel et Lilli, Marché Dauphine, Saint-Ouen, France, June, '19.
Here was one of two surprises in a blisteringly hot weekend foray to the Marché aux Puces! "Daniel et Lilli" is basically a button shop on the first floor of the Marché Dauphine. I did find buttons, but I found more brooches and drawings. The helpful attendant just kept bringing me more things! These lovely finds made up for an otherwise not-so-successful day. The bunny sleeps blissfully against a tree while the tortoise passes by. What lovely work, and what a lovely "save" from the fate of most ephemera for this one-of-a-kind object!
1975? Hand-painted colored picture of WL. About 4" x 7". €28 from Daniel et Lilli, Marché Dauphine, Saint-Ouen, France, June, '19.
Here was one of two surprises in a blisteringly hot weekend foray to the Marché aux Puces! "Daniel et Lilli" is basically a button shop on the first floor of the Marché Dauphine. I did find buttons, but I found more brooches and drawings. The helpful attendant just kept bringing me more things! These lovely finds made up for an otherwise not-so-successful day. I enjoy the wolf and the lamb here, but I wonder what the wolf holds in his left paw. Again, what a lovely "save" from the fate of most ephemera for this one-of-a-kind object!
1984? Ten original prints with text by Sarah Chamberlain. Each signed and numbered 26 of 35. $160 from the artist, Oct., '89. Fables: "The Ass in a Lion's Skin"; FS; FK; LM; FC; "The Cock and the Jewel"; GGE; FG; TH, CP.
Beautiful multi-colored work. The best of the set are "The Ass in a Lion's Skin," FK, and LM. A lovely treasure. See now the book of these prints which Ms. Chamberlain published in 1984.
1985? FG Flip-Book. Student creative work for a fable course. 4.2” x 3.7”. Two staples. Unknown creator.
I regularly assigned one creative work when I taught literature, whatever form that creative work might take. Here’s a delightful flip book of the fox approaching the grapes, trying to get them, and walking away. Cleverly done!
1990 Five original watercolors of "A Farmer and a Mother Lark" by Kim Young-ok, student at Sogang University. Assigned, confiscated, and donated by Margaret Carlson Lytton, Spring, 1990.
Done originally as a class assignment for a story to be told with a visual aid. The fable's beginning and ending come across especially well in these simple and lively prints. How nice to see Aesop alive in this student's imagination!
1992 “The Town Rat and the Country Rat: By Jean de la Fontaine: A Coloring Book.” Illustrations by Mary-Margaret Dupin. Presumably for requirements in a fable course at Georgetown University.
Several outstanding exemplars remain from many student “creative projects” from courses on ancient literature and especially on fables. Here is one of the best. The text is by Walter Thornbury about 1870. The illustrations are delightful! It is such a pleasure to come back to them now (January, ’26)! I give a sample below the cover-page. Do not miss the cat entering right!
1992 A Fairy Tale Which Turned into a Fable. Fable written for Gregory Carlson, S.J., by June Clinton. Sent with a letter from the author, Sept., '92.
Delightful story about Solon, Aesop, and Croesus, asking which of the three had the happy ending and concluding that no one lives happily ever after. I would add: "And some do not more than others"! A delightful unique gift.
1992? “Bull and Gnat.” Pen and ink, 8.5” 11.” P. Chen, student.
Fables invite the fun of development, creative presentation, analogy, and time-travelling to different cultures and social circumstances. This delightful work takes the standard Aesopic fable of the gnat who reduces the bull to frustration and gives the bull a new defense. The artist uses well the fable’s standard strong contrast of size.
1992? “Wolf in Sheep’s Clothing.” Watercolor, 8.5” x 11”. Anonymous student work.
This simple work says a lot in its two enhancements of the wolf: the sheepskin and the bloody mouth.
2000 Chalk Drawing of "The Fox and the Mask." Megan Douglas for English 120 at Creighton University, Fall, '00.
Here is a wonderfully sensitive study of forms. Is that the fox's tail that sweeps around the right side of the mask? The fox seems appropriately unimpressed!
2000? Illusions, ACEO Nude Drawing Mirror Art Card print. © Nicole B. Fekaris. 2½" x 3½". Signed "Nicci." $.99 from Nicole Fekaris through eBay, June, '10.
The backwards writing says "Beware that you do not lose the substance by grasping at the shadow. Aesop." I am delighted to see how widely Aesop's DS story gets around. I tried seeing if there was an allusion in this evocative drawing to that story, but I think that the artist's intent is to draw attention rather to the play of light and shadow. Goodadvice, well echoed here! To see an enlarged version in mirror form, click here.
2000? Pen-and-ink drawing of “The Man with Two Mistresses.” Student work. Unknown date and artist.
I regret not being able to read the artist’s signature on this lovely work. Wonderful shadow technique! Effective caricature! Bravo!


















